How Jack Works, According To… Taylor Swift I think the definition of relaxation is to enjoy something that fascinates you but does not inspire you. But these aren’t things I do! Never! And I think that’s why it’s relaxing to me. I like videos of meat: seasoning, barbecuing videos. My whole Instagram is just food, people packaging things. When I get home or if I want to take a break, I get into a loop of people making pasta, people frying things.
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I use everything outside of my work to turn my brain off, like my YouTube life - I watch a lot of food things. When I hear stories about people never going home, or sleeping in a studio, that doesn’t sound romantic to me. When you live very intensely praying at this thing, you want to make sure you haven’t taken it too far. I’m definitely really ambitious, but it hasn’t gotten to the point where my life is completely falling apart around me. My friends haven’t gotten together and said, “You’re a piece of s–t.” People still take my calls. Sometimes I look back and think, “That was a pretty intense period of work,” but my family hasn’t disowned me. In this line of work, you are either being given life or sucked of life, and I don’t love being in the studio enough to be doing something I don’t want to do. My version of time management is that, when I’m doing the things I love, they somehow create time for me, so I only do things I love.
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Though Antonoff’s collaborators praise how he can translate the sounds in their head to real-life recordings, he describes the work of making music in terms far more philosophical than technical.Īntonoff explains his approach to creativity - how he manages it, how he cultivates it and how, at the end of the day, he’s at the mercy of it. There aren’t that many differences between the way Antonoff, 37, talks about his own work and the albums he makes with other artists: Producing, at its core, is about the pursuit of a bigger story - a practice that requires him to be a confidant, sounding board and editor as much as the guy who knows which synth will evoke which feeling. He often works in his Brooklyn home studio, but he has made many records here, including the upcoming Take the Sadness Out of Saturday Night (out July 30 on RCA), from his solo project, Bleachers, as well as its standout track “Chinatown” alongside his childhood idol, Bruce Springsteen. The walls are decorated with framed doodles, scribbled notes and other artifacts that tell the story of his career - like a handwritten track list for Lana Del Rey’s recent album, Chemtrails Over the Country Club, the bulk of which he co-wrote and produced.